男人都太坏姐妹才有爱对琐碎细节的纪录片式关注固然使影片摆脱了过重的情节剧痕迹却也压过了作为公路片内核的非预期遭遇继室辣文H1V1因此很难说角色与纽约(where "you are forced to interact with people who are just nothing with you")产生了空间互动于是在整体的单薄基调下唯一的遭遇(with男主)也凸显出其操纵和建构性质——倒是应和了导演激烈的批判姿态
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Every time I look at the window, I feel sorrow. We moved the coffin through window. Cuz the stair was too narrow.